Tuesday, 12 May 2020

AUDIENCE RESEARCH: Audience Behaviour

To take a closer look at the consumption habits of my target audience, I looked at three different articles that reflect the way that music videos are consumed nowadays.

https://www.refinery29.com/en-us/2017/08/169943/music-videos-history-popular-2017
This article asks the question ‘do teens still watch music videos?’ Since older teenagers are a part of my target demographic, I thought it would be interesting to see if they still take an interest in music videos. When teenagers were asked if they still watch music videos, one person answered that she might, ‘if I like both the artist and song’ (this is similar to some answers I received when asking my focus group questions). Another teenager mentioned that ‘sometimes a friend will be like 'watch this' if it's an artist they're super into, but they probably wouldn't post about it on social media.’ The article also states opposing stats from Vevo – ‘61% of teens say that they are watching more online video than they were last year (2017), and 73% say music videos are the best type of content for showing an artist's creative vision’ – suggesting that more teenagers take an interest in music videos than it may seem. The article suggests that ‘teens are engaging with music videos all the time — they just don't realize it.’ This is due to engagement – ‘watching a music video’ doesn’t mean what it did in the past. ‘There’s a next level engagement, what people are sharing, or commenting on, or talking about,’ Patel explains. ‘And then you have an even deeper level of engagement which is, people are...creating things out of that video, for example, memes.’ This article reflects on the idea that interaction with music videos has changed over time, and the idea that interacting with a video is often more than just watching it – and could instead be commenting, sending the video to friends, visiting an artists social media/website, buying merchandise, and other things along those lines.

https://nerdsmagazine.com/watch-music-videos/
This article shows the different websites that audiences can use to watch music videos. Although this article is quite old, it lists YouTube as one the most popular sites for watching music videos, which is still relevant today, as YouTube still seems to be the most popular platform that people in my target demographic tend to use when watching music videos. The article also lists Vevo and Vimeo as platforms that can be used to watch music videos, but after looking at the Vevo website, I noticed that the links to Vevo videos on the website take you to YouTube. Music videos on YouTube also get a lot more views than music videos on Vimeo, and my target audience is a lot more likely to interact with a YouTube video (as shown by the answers to my focus group questions).

https://blog.hubspot.com/marketing/online-music-listening-preferences
This article looks at the different ways that people consume music nowadays in the streaming era. The article shows the results of a survey that looked at the ways that 2,500 different people listen to music online, and shows that a small percentage (9% of those surveyed) chose ‘I primarily watch music videos online through something like YouTube’ when asked what is the primary way that they consume music. This shows that for some people, watching a music video will sometimes be the first time they hear a song, meaning a music video has to be a good visual representation of the song and its lyrics, as it will sometimes be the first impression that a person gets of an artist. The article also shows that over 50% of people use a music streaming service like Spotify. This article is a few years old, so this number is even higher now (Spotify currently has around 285 million monthly active users), and Spotify is very popular with my target demographic (as shown by the answers to my focus group questions). This suggests that when designing my website for my music video, it would be a good idea to have a link to the song on Spotify so that my target audience can stream the song.

Sunday, 10 May 2020

AUDIENCE RESEARCH: Focus Group Questions


Below are the questions I asked my focus group

1. How often do you watch music videos? (eg. often, rarely, only when my favourite artists upload one)
2. What platform do you use to watch music videos?
3. Would you interact with a music video after watching it if you enjoyed it? (eg. by leaving a comment, visiting the bands social media or website)
4. Do you ever download/purchase music after watching a good music video?
5. Do you watch music videos for the video or just for the song?
6. Do you prefer narrative music videos (music videos that tell a story) or performance music videos (that show the band playing the song) or do you prefer a mix of both (a video that shows a narrative as well as the band performing)?
7. What is your favourite music video and why?
8. What streaming service do you use to listen to music? (eg. Spotify, Apple Music)

Here are their answers:

Tito
1. Only when my favourite artists upload one.
2. YouTube
3. Yes, I’ll probably comment or visit their social media.
4. Yes, always.
5. For the video mostly but sometimes for the song.
6. A mix but leaning towards narrative music videos as I think they’re more interesting.
7. Do It All The Time by IDKHBTFM due to its performance aspects and also all the visuals and storytelling within it. I also liked One Last Time by Ariana Grande because of the story telling in it and for the nostalgia.
8. Spotify

Alex
1. Usually only when my favourite artists upload one, but sometimes I might watch one in my Youtube recommended if it looks interesting.
2. YouTube
3. Maybe if it was one of my favourite artists, but not usually.
4. Yes, if it’s a good song.
5. For the video.
6. A mix of both but I prefer narrative videos.
7. Life Itself by Glass Animals because I like how it's a part of a bigger story with the other music videos from the album. I also like the visuals and I think it's cool that the meaning is quite subjective.
8. Spotify

Amber
1. Only when my favourite artists upload one.
2. YouTube
3. I’d probably just like the video
4. Yes
5. For the video
6. A mix of both.
7. Thriller by Michael Jackson because I like the story and the visual style.
8. Spotify

Leon
1. Rarely
2. YouTube
3. No
4. I usually only watch videos by bands I know, so I’ll probably have the music downloaded already.
5. I usually watch for the song but I like to see its video representation. If the graphics are good or I like the style of the video then I might watch more by the same artists to see the videos.
6. Narrative
7. Paranoid Android by Radiohead, because of the cool graphics, animation and colour. It’s unusual and I like that.
8. Spotify


Thursday, 2 April 2020

AUDIENCE RESEARCH: Feedback on Pitch



This feedback from my target audience has been very helpful in regards to my initial pitch. At first, I was unsure of whether the song I had chosen would count as a protest song, but my survey has reassured me that it should be fine, with the majority of people who answered saying it fit the brief quite well. A few people also gave me some feedback as to how I could make my idea fit the brief better, which has made it clear that the visuals will have to be quite strong to make sure the exam board can see why I chose this song as a protest song. The second response was particularly helpful, and has made me reconsider some things – I still want to keep the initial idea about the boy struggling with his sexuality, but I will definitely try to amplify the message about toxic masculinity – this is the reason why he is scared to express himself (due to things such as the pressure society puts on young boys and the representations of male role models in the media). My survey has also reassured me that this idea is something that would definitely be appealing to my target demographic. I was also given some helpful feedback regarding ideas for intertextuality that I will have to look into a bit more during the research stage.

WEBSITE WALKTHROUGH